My first teacher and guru & critique is my father Shripad Tare who was a regular vocalist for Nagpur AIR. My journey into Hindustani classical music began at an early age. I had always been passionate about singing, and I started performing at a young age in Nagpur with a local organization that promoted young talent. This continued alongside my education, which I was pursuing in the science stream. 

I must admit that initially, I didn't consider pursuing music professionally, as it wasn't perceived as a mainstream career in my hometown. I even pursued a Master's degree in microbiology. However, the turning point came when one of my gurus encouraged me to choose music over science. It was a moment of clarity where I realised that music was my true calling, and I couldn't live without it. So, I completed my Master's in Microbiology and embarked on a dedicated journey into Hindustani classical music by pursuing a postgraduate program in Hindustani vocals at Lalit Kala Kendra, Pune University. 

Can you elaborate on the core principles and elements of Hindustani classical music? What defines this genre, and how does a vocalist approach ragas and tals? 

Hindustani classical music is built upon two fundamental pillars: "raga" and "tal." These are at the heart of this music. Ragas are melodic frameworks or scales that evoke specific emotions and moods. They are the backbone of Hindustani music and provide a foundation for improvisation. When performing a raga, vocalists like myself engage in improvisation, which is a core aspect of Hindustani classical music. This improvisation adds depth and uniqueness to each rendition. Alongside ragas, we have "tal," which refers to rhythm. Rhythm and melody are intertwined, and they complement each other to create the complete tapestry of Hindustani music. 

Our music has a rich history dating back to ancient texts like the Samved. Over time, it evolved into various forms, such as dhrupad, dhamar, khayal, and tarana. These forms have contributed to the structure and diversity of Hindustani classical music, making it a unique and intricate art form. 

How does Hindustani classical music distinguish itself from other music genres? 

The significant element of Hindustani Music expression is the Fine Tone of the instrument (including melodic & percussion instruments and the voice), and the ‘Swar Lagaw’ which forms the core of the expression of the music along with the Raag melody. One of the key elements that differentiates Hindustani classical music is the concept of "raga." Ragas are not found in most other music genres worldwide, except for Carnatic music, which also relies on ragas. 

The genre also stands out due to its historical evolution, going from dhrupad to khayal, thumri, dadra, and more. Each form adds layers and dimensions to the music, making it a diverse and rich tradition. Moreover, the depth and complexity of Hindustani classical music set it apart. It requires a profound connection between the artist and the audience, inviting listeners to embark on an inward journey. This focus on introspection and emotional expression distinguishes it from many other musical styles. 

What do you see as the challenges this genre faces today, especially considering changing audience preferences? 

Hindustani classical music faces several challenges in today's world. Firstly, it requires a receptive audience willing to delve into their inner selves while experiencing the music. This introspective aspect can deter some listeners who seek more immediately gratifying music. 

Another challenge is the need for individuals to take pride in their cultural roots and the music of their own land. This sense of pride and understanding is sometimes lacking, and many people are more drawn to contemporary or commercial music. 

To ensure the future of this tradition, we must bridge the gap between Hindustani classical music and contemporary music. The genre should remain relevant while preserving its authenticity. This requires both artists and audiences to embrace the music's depth and intricacy. 

Could you share your advice for aspiring musicians interested in pursuing a career in Hindustani classical music? 

My advice to aspiring musicians is twofold. First and foremost, find a dedicated and authentic guru who can provide you with proper training. The foundation of any successful career in Hindustani classical music is rigorous and sincere learning. Secondly, while preserving the core principles of the genre, stay open to contemporary influences. This adaptability will help you reach a broader audience and ensure the continued relevance of Hindustani classical music in today's world. It's vital to strike a balance between tradition and innovation. 

A Melodious Extravaganza at Vijaybhoomi University

Jyoti Shinde, BBA, JAGSoM

I am thrilled to share with you the resounding success of the recent musical ensemble held at our esteemed university. The event showcased a diverse range of Hindi vocals, captivating the audience with a delightful blend of Bollywood tadka and classical surus. 

The atmosphere was electric as talented performers took the stage, delivering soul-stirring melodies that left everyone spellbound. From foot-tapping Bollywood numbers that had us swaying in our seats to the intricate and serene renditions of classical compositions, the ensemble truly had something for every music enthusiast. 

The event highlighted the immense talent and passion present within our Vijaybhoomi University community. Our students, with their exceptional vocal skills and dedication, demonstrated a remarkable ability to captivate and engage the audience.  

We extend our heartfelt appreciation to all the performers, organisers, and supporting staff who made this musical extravaganza a grand success. Their hard work and commitment have once again showcased the vibrant spirit of our university. 

As we welcome another year, let us carry the echoes of this enchanting musical experience in our hearts. May it inspire us to embrace the power of music and foster creativity and unity within our community. 

Wishing you all a harmonious and prosperous year ahead! 

Vijaybhoomi University: A Hub of Musical Energy
Saniya Dalal, BBA, JAGSoM  

In an exhilarating showcase of musical prowess, the stage at Vijaybhoomi University came alive with a myriad of bands, each contributing to the vibrant tapestry of the evening. Among these musical bands were Moises and several other talented groups, their names resonating in the auditorium as a prelude to the diverse soundscape that awaited the eager audience.  

In the rich mosaic of musical acts, Chromance, with Neil Singh on piano, Adarsh Sinha on electric guitar, and Jay Rana on electric guitar, distinguished themselves with a standout performance, captivating the crowd and proving to be a harmonious force to be reckoned with.

Chromance embarked on a musical odyssey with a clear mission - to craft original compositions from the ground up. The result was a spellbinding event filled with soulful melodies, innovative compositions, and an electrifying atmosphere. The trio's commitment to authenticity shone through as they not only performed live but also produced backing tracks for each song, adding an immersive layer to the overall experience. 

Kicking off the evening was the infectious energy of "Susgaysir," a clever spoof paying homage to the band Sungayzer, which served as a key source of inspiration. The backing track was a collaborative effort led by Pratham Barapatre and with a creative touch from Neil Singh. 


The journey continued with the pulsating beats of "Junglee Etude." Named for its Jungle music influences and featuring Drum and Bass elements, the composition seamlessly blended musical styles. The inclusion of a section that mimicked a musical exercise added an extra layer of ingenuity, earning the song its distinctive name. 

Life at VU was transformed into a jubilant celebration of originality and artistic expression, with Chromance at the forefront. The university community immersed themselves in the festive atmosphere, and the ensemble's performance left an indelible mark on students, faculty, and music enthusiasts alike.

What are some of the cultural events celebrated in Vijaybhoomi University?   

Vijaybhoomi, as a community, upholds the values of secularism and embraces the importance of respecting all cultures. We strive to foster inclusivity by organising a wide range of cultural events, including Christmas, Diwali, Onam, Eid, Halloween, and many others. These celebrations allow us to honour and appreciate the diverse traditions and customs that contribute to the vibrant tapestry of our community.  

Generated by:

 Satvika Kushwaha

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Vijaybhoomi University is India's first Liberal Professional University, which uses the liberal-professional framework of education to build a unique curriculum aligned to Industry 4.0. The curriculum facilitates the process of self-discovery in the initial year and thereafter choice of majors and minors to prepare oneself in high-demand careers in data science, artificial intelligence, business, law, music and design. The university is located in Karjat, Greater Mumbai, and nurtures holistic, socially responsible, and continuously employable professionals who can make a positive difference in the world.

Vision

To become an independent, multi-disciplinary, globally acclaimed university which facilitates learner-centricity, builds pathways to groom holistic individuals, and foste

rs innovation and scholarship to impact practice and communities

Mission

Nurture holistic, socially responsible, and continuously employable professionals.